The Fundamentals of Racial Harmony

 With the current racial issues dominating the headlines following George Floyd’s murder and funeral, and now the weekend shooting of Rayshard Brooks, I’m reminded of a scene from my second novel, The Lost Lantern, a book ultimately about racial harmony.

The novel takes place partially in the 1960s, but mostly in mid-1980s Myrtle Beach and Murrell’s Inlet, South Carolina. In the scene, William McMillian, a black man, takes his white friend John Gates to a coastal point on government-owned wetlands for an important discussion. William has often come to the spot throughout his life to contemplate issues and consider important decisions. There is a single tree along the shoreline, its branches all growing to the west, the result of a perpetual ocean wind. William has just received the most devastating news of his life, the aftermath of racial injustice.

Here’s the excerpt:

“I’ve done a lot of thinking here, John. I know I’m not a great philosopher, but I’ve had some good moments at this spot. Times when I just had to get away from our neighborhood, or get away from Danny’s (restaurant), from cleanin’ it and keeping the kitchen running right. I’ve been here late at night, with a full moon out there over the water… so beautiful, stars so clear and bright. And all I could think about was how great God is, and how wonderful this world could be.

I’ve thought about those branches. The branches of that tree… as black people. And the wind is white people. Whenever a branch starts to grow into the wind, or fight back, the wind picks up stronger, or shifts, until over time, the branch can’t do nothin’ but turn and join the other branches… defeated. If it doesn’t turn, eventually it’ll break. And it will fall and die.”  – William McMillian, The Lost Lantern.

Lantern ThumbWhen I wrote this I believed that the prevailing racial winds had changed since 1987. And I still do. Opportunity – and oppression – are becoming colorblind. In my opinion there is a small percentage of whites living in the past, unfortunately with the ability and position to exercise incredible ignorance and stupidity. I still believe we live in the greatest country in the world, that we will continue to grow and get through all of this – together. We need faith, hope, kindness, and love. Maybe that’s naïve and not hard-hitting. But it’s fundamental. With fundamentals, you need repetition.

The Lost Lantern and The Long Shadow of Hope are available on Amazon.com or on my author page at: https://www.amazon.com/-/e/B01EYPU3RQ

Thanks for reading, A.S. © 2020

 

 

 

High Marks from “Integrity Personified”

When I reminisce about my junior high school days, so joyous at the time, a handful of educators stand out above the others. Some because of what they taught and how passionately they did it. Others, for who they were – for what they were.

 Sam Owens was my Spanish teacher for three years. More importantly, he was a pillar of integrity, professionalism, and kindness in a place that, it turned out years later, had a despicably-dark underbelly of the worst kind.

 Though he was a tremendous teacher, I was not a student of Spanish. I saw it as credits I needed to get through high school. I did what I could – sang songs with vigor, participated as much as possible, to offset my inept conjugating of verbs. He took pity on me. Once, when the coaches I most wanted to please – and for whom I became a two-time all-conference player – were subtly bullying me for playing another sport, Mr. Owens was the person this 13-year-old went to crushed, confused, and emotional. He didn’t console me, he resolved the issue. It was something he probably wouldn’t even remember. For me, it was an illogical, few-day hiccup in an otherwise blissful stay – including with those coaches – over forty years ago. But, that I went to him, speaks volumes to me now.

 That Sam Owens, an author himself, read my second novel, The Lost Lantern, and took time to write a favorable review, also means the world to me.

 The Secret of the Lost Lantern May 1, 2020 5-stars

Lantern ThumbThe story of a shocking murder lingers beneath the myriad of events detailed throughout novel. Waiting to be exposed to the reader, the facts relating to this horrendous crime remain concealed among the intense compassions of human nature, the evil racism lurking within the local culture, and the diverse concerns of sophomoric teens. The surprising solution to the disappearance of a beloved resident of Myrtle Beach is at last revealed in the secrets of The Lost Lantern, the extraordinary title of this novel. A worthy read for anyone, but especially for those beach-loving natives of Appalachia, whose people and home play an intriguing role in this sun–drenched community.

The Lost Lantern, and The Long Shadow of Hope, are available on Amazon.com

 Thanks for reading, A.S.

Exploring Racial Harmony: Teaching “The Cay” in 2020

While it’s currently corona-stalled and banished to on-line only, I have been in a new arena the past eight months – the classroom. I once, beginning 38 years ago, intended to teach English and coach basketball. The whirling dervish called life took me in some different directions, and now I’ve landed back where I began. I’m teaching Creative Writing to sixth graders, and I assisted a lifelong coach with the same middle school’s boys’ team and coached the junior varsity, two reasons blog posts have been flowing like mud in the same time frame.

The classroom work has been interesting and I have varying levels of writing talent among the 180 students – some quite accomplished. To teach the value of reading to writers, to be able to point out some excellent author technique, and for a break from the growing mountain of papers to be graded, I thought it would be fun to read a book with them. I chose The Cay, by Theodore Taylor.

The CayIf you’re not familiar, The Cay is set in Dutch-held Curacao during World War II. A Caribbean Island just north of Venezuela, at the top of South America, the area is a target for German submarines because neighboring Isle Aruba’s oil refinery has begun producing and shipping aviation fuel for use by the Allied Forces. Taylor’s lead sets the tone for the book aptly: LIKE SILENT, HUNGRY SHARKS that swim in the darkness of sea, the German submarines arrived in the middle of the night.

Young Phillip Enright, 11-year-old son of an American petroleum engineer, has to leave the island with his foolishly-squeamish mother, who longs for the safety of eastern Virginia. Of course, their ship is torpedoed and Phillip ends up on a raft with Timothy, an old, black man (portrayed by James Earl Jones in the TV movie), and the ship’s cook’s pet, Stew Cat. Making matters worse, Phillip is hit in the head by a timber during the ship’s demise, and after a couple of days on the raft he goes blind.

“It makes no sense to dislike an entire race of people.” – Timothy, of The Cay

Adding to the tension between the two characters is Phillip’s ignorance and attitude about blacks, purely a mirror of his mother’s beliefs, which he doesn’t actually understand. The book is narrated by Phillip. He thinks of Timothy initially as a “big, ugly Negro.” Timothy is a West Indie native, and calls Phillip “Young Boss” in his native accent. When they land on their cay, a small island that is part of the unnavigable-by-ship Devil’s Mouth, Timothy sets about making plans for their rescue and keeping them alive in his pleasant way. Phillip refuses to help with chores he is able to do, thus tension eventually comes to a head until Timothy smacks Phillip for a particularly disrespectful outburst. After that the two become fast friends. Timothy teaches Phillip how to be self-sufficient: to catch rainwater, to fish, to bare-hand lobster, and to climb trees for coconuts, in case his stay on the isle outdistances 70-plus-year-old Timothy’s life. They even talk about race. Timothy tells Phillip it makes no sense to dislike an entire race of people, and that people of all colors are the same on the inside. Ultimately, Phillip respects and loves Timothy, and as he matures he realizes everything Timothy did to save his life… both before he dies protecting Phillip during a hurricane and after.

Lantern ThumbMudboundThe theme of my second novel, The Lost Lantern, is also about racial harmony. More so than The Cay, to achieve my goal, harsh examples of racism, and racists, had to be depicted. It grates on the soul and sensibility… but it was realistic. It is certainly authentic to South Carolina in the ’60s and ’80s, where and when The Lost Lantern takes place. The Lost Lantern is more closely related to Hillary Jordan’s Mudbound than Taylor’s young adult effort (released in 1969) as Lantern’s black and white friends team together to overcome tall racial odds.

When asked by students about reading my books, I have told them that they must be 17, that the books would be “R or NC-17 rated,” if there were such distinctions for novels. Less than ten percent of my students are black, but many, white and black, initially found The Cay to be racist. One young man (privately) found the term Negro offensive to the point of tears. In his mind it was the N-word, not the commonly-used, proper term of the World War II era. Still, I was sensitive to his point. He said he didn’t like the way the kids “were looking at him.”  Like the protagonist Phillip Enright, most of the students are just beginning to reach maturity. If they were looking, they were watching for his reactions.

I believe that had my junior high English class read The Cay in the late ’70s instead of Romeo and Juliet, it would have been uncomfortable. Race then could still be volatile. In today’s world, I never felt the students looked at each other as black, yellow, mixed, white, brown. The friendships I’ve observed seem colorblind. Ultimately, nearly all of the students enjoyed the book because it was about friendship, love, respect and loss. Time marches on, worldwide problems obviously change, but for some, hopefully a small minority, maybe race relations stay the same.

© 2020

Double Clouds

Eighty-five minutes on a beach bicycle

In a refreshing rain, searching, researching, re-con, retreats,

Against the grain, perpendicular, through paths,

Three streets, thirty seconds,

Thinking like a criminal…

Might

Onto the beach where there are in the vast horizon

two sets of clouds for my pleasure

The nearest is higher and stretches the entire canvas

Like a gray string of senseless cursive letters

taking the form of circus animals and profiles

attached, to the south, is a mass that carries

a storm which grumbles continually yet harmlessly.

Far, far beyond that group

are sporadically-placed cumulus cotton balls

that still enjoy the pleasure of the shining sun

Somewhere between those double clouds,

With wind and rain pelting me, my legs burning

My thoughts go to the heavens and farther south and west

And I ask myself the question, if I had a novel

that explores racial hatred and racial harmony,

would now be the best time or the worst time

To release it?

© 2016

HE HAS NO CHOICE

Author’s note: This is a song I wrote many years ago that was meant to cast a light on poverty, provide social commentary. Today I was unsure of the completion date, then I realized it didn’t matter. This problem is ongoing. A.S. 

A MAN GETS up every morning, and he takes himself away

To a place he really never wanted to go to, but he has no choice.

His wife she does the very same thing… and she hates what she’s become…

And they’re not making it anyway…

And they have no one to blame…

No matter what they seem to do, they just can’t get ahead.

And his wife comes home and says there’s a baby on the way.

And his neighbor lets the bank take his house… because he just can’t pay no more

And he’s leaving town tomorrow… though he has nowhere to go.

Chorus:

Well the lines are getting wider every day

Between the people who are safe, and who are not

And the bitter taste of poverty so seldom goes away…

Most the time, it’s there to stay….

So the man gets himself another job, working late at night

‘Cause soon he’ll have another mouth to feed, so he has no choice

And he’s worried about his wife being home alone, but there’s nothing he can do…

So under his breath he says a little prayer…

And he cries himself a tear… and he works on… and on.

Chorus:

Well the lines are getting wider every day

Between the people who are safe, and who are not

And it may not be a tragedy, but surely is a shame

But to some, it’s just a game…

© 1992 Andrew Spradling